{"id":5091,"date":"2025-02-05T13:27:46","date_gmt":"2025-02-05T13:27:46","guid":{"rendered":"http:\/\/harmonia.antiqua.si\/?page_id=5091"},"modified":"2026-06-05T06:21:51","modified_gmt":"2026-06-05T06:21:51","slug":"pretekli-dogodki","status":"publish","type":"page","link":"https:\/\/hc.zrc-sazu.si\/?page_id=5091","title":{"rendered":"PRETEKLI DOGODKI"},"content":{"rendered":"
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2025<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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\r\n \r\n \r\n 11. marec Operni junaki gori\u0161kih salonov<\/span>\r\n
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Andrea Bernasconi\r\n
Domenico Gallo\r\n
Johann Adolf Hasse\r\n
Giuseppe Tartini\r\n
Leonardo Vinci Confusa\r\n
Alessandro Marcello\r\n
Leonardo Vinci\r\n
Giuseppe Tartini\r\n
Giovanni Battista Pergolesi<\/p>\r\n

Ansambel musica cubicularis<\/em>\r\n
Helena Bregar, sopran\r\n
Federico Gugliemo, violina\r\n
Lorenzo Rosato, violina\r\n
Domen Marin\u010di\u010d, violon\u010delo\r\n
Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 28. marec Dvojni rojstni dan na 38 strunah<\/span>\r\n
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Tobias Hume\r\n
Alfonso Ferrabosco\r\n
Thomas Gregory\r\n
Simon Ives\r\n
William Byrd\r\n
Simon Ives\r\n
Matthew Locke\r\n
Simon Ives\r\n
Matthew Locke\r\n
John Jenkins<\/p>\r\n

D\u00e1vid Budai, viola da gamba, lyra viol\r\n
Domen Marin\u010di\u010d, viola da gamba, lyra viol<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 4. junij Trio za sedem glasbenikov<\/span>\r\n
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Pierre Danican Philidor\r\n
Michel de La Barre\r\n
Joseph Bodin de Boismortier\r\n
Marin Marais\r\n
Jean-Philippe Rameau\r\n
Jean-Baptiste Lully\r\n
Fran\u00e7ois Couperin<\/p>\r\n

Ansambel musica cubicularis<\/em>\r\n
Anne Freitag, baro\u010dna pre\u010dna flavta\r\n
Eleonora Bi\u0161\u0107evi\u0107, baro\u010dna pre\u010dna flavta\r\n
Keiko Kino\u0161ita, baro\u010dna pre\u010dna flavta\r\n
Christine Rothe, baro\u010dna pre\u010dna flavta\r\n
Neo Gundermann, teorba\r\n
Domen Marin\u010di\u010d, viola da gamba\r\n
Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 26. september Kot pti\u010dji spev<\/span>\r\n
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William Williams\r\n
Gottfried Keller\r\n
Gottfried Finger\r\n
James Paisible\r\n
George Friedrich H\u00e4ndel\r\n
William Williams\r\n
Daniel Purcell\r\n
Henry Purcell\r\n
Anthony Poole\r\n
George Friedrich H\u00e4ndel<\/p>\r\n

Maru\u0161a Brezav\u0161\u010dek, kljunasta flavta\r\n
Ur\u0161ka Cvetko, kljunasta flavta\r\n
Mauro Colantonio, viola<\/p>\r\n

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\r\n \r\n \r\n 20. oktober Alessandro Scarlatti : Stabat mater<\/span>\r\n
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Arcangelo Corelli\r\n
Alessandro Scarlatti<\/p>\r\n

Ansambel musica cubicularis<\/em>\r\n
Kathrin Hottiger, sopran\r\n
Alex Potter, kontratenor\r\n
Helena Zemanov\u00e1 & Lorenzo Rosato, violini\r\n
Domen Marin\u010di\u010d, violon\u010delo\r\n
Toma\u017e Sev\u0161ek, orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 24. in 25. november Pesmi norosti<\/span>\r\n
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Dvojni koncert in okrogla miza Angle\u0161ke pesmi o ljubezni, izgubi, zavisti in norosti, fascinacija nad ekstremnimi \u010dustvi in blaznostjo, zabrisane meje med odrom in realnostjo.<\/p>\r\n

Purcell, Eccles, Blow, neznani skladatelji<\/p>\r\n

Ponedeljek, 24. novembra 2025<\/p>\r\n

20:00 \u2014 Prvi koncert<\/p>\r\n

Lisandro Abadie, bas<\/p>\r\n

Monica Pustilnik, arhilutnja<\/p>\r\n

Torek, 25. novembra 2025<\/p>\r\n

18.30 \u2014 Okrogla miza z Mladenom Dolarjem in Domnom Marin\u010di\u010dem<\/p>\r\n

20:00 \u2014 Drugi koncert<\/p>\r\n

Ansambel musica cubicularis<\/p>\r\n

Helena Bregar, sopran<\/p>\r\n

Sam Chapman, arhilutnja<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2024<\/p>\r\n <\/div>\r\n <\/div>\r\n

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Matthias Weckmann\r\n
Ignazio Albertini\r\n
Nicola Matteis\r\n
Giuseppe Colombi\r\n
Carlo Ambrogio Lonati\r\n
Matthias Weckmann\r\n
Dieterich Buxtehude<\/p>\r\n

Ana Benedi\u010di\u010d, orgle\r\n
Ansambel musica cubicularis<\/em>\r\n
Domen Marin\u010di\u010d, viola da gamba (J. Ch. Hoffman, Leipzig, ok. 1740)\r\n
Sam Chapman, teorba\r\n
Toma\u017e Sev\u0161ek, orgelski pozitiv, orgle<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 3. maj Operne arije pri Attemsovih<\/span>\r\n
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Andrea Bernasconi\r\n
Leonardo Vinci\r\n
Baldassare Galuppi\r\n
Johann Adolf Hasse\r\n
Domenico Dall\u2019Oglio\r\n
Giovanni Porta\r\n
Domenico Gallo\r\n
Geminiano Giacomelli<\/p>\r\n

B\u00e9n\u00e9dicte Tauran, sopran\r\n
Ansambel musica cubicularis<\/em>\r\n
Federico Guglielmo, baro\u010dna violina\r\n
Mojca Jerman, baro\u010dna violina\r\n
Alessia Pazzaglia, baro\u010dna viola\r\n
Domen Marin\u010di\u010d, baro\u010dni violon\u010delo\r\n
Toma\u017e Sev\u0161ek, orgle<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 4. september Komi\u010dne kantate 17. stoletja<\/span>\r\n
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Antonio Cesti\r\n
Girolamo Frescobaldi\r\n
Bernardo Storace\r\n
Claudio Monteverdi\r\n
Girolamo Frescobaldi\r\n
Luigi Rossi\r\n
Bernardo Storace\r\n
Pietro Antonio Giramo\r\n
Girolamo Frescobaldi\r\n
Benedetto Ferrari<\/p>\r\n

Ansambel musica cubicularis<\/em>\r\n
Helena Bregar, sopran\r\n
Domen Marin\u010di\u010d, \u010dembalo, viola da gamba\r\n
Toma\u017e Sev\u0161ek, orgelski pozitiv, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 11. oktober Recital na zgodovinskem klavirju<\/span>\r\n
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Fr\u00e9d\u00e9ric Chopin\r\n
Edvard Grieg\r\n
Robert Schumann\r\n
Johannes Brahms<\/p>\r\n

Edoardo Torbianelli, zgodovinski klavir Bl\u00fcthner (1856)<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 24. november VRISKAJTE BOGU VSE DE\u017dELE!<\/span>\r\n
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Christoph Graupner\r\n
Georg Philipp Telemann\r\n
Johann Sebastian Bach\r\n
Johann Sebastian Bach<\/p>\r\n

Ansambel musica cubicularis<\/em>\r\n
Nikolina Hrka\u0107, sopran\r\n
Miha Petek, baro\u010dna trobenta\r\n
Federico Guglielmo, baro\u010dna violina\r\n
Laura Vadjon, baro\u010dna violina\r\n
Hiwote Tadesse, baro\u010dna viola\r\n
Domen Marin\u010di\u010d, baro\u010dni violon\u010delo\r\n
Toma\u017e Sev\u0161ek, orgelski pozitiv, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 5. marec Johann Sebastiani PASIJON PO MATEJU<\/span>\r\n
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Daniel Johannsen, tenor (Evangelist)<\/span>\r\n
Joel Frederiksen, bas (Jezus)<\/span>\r\n
B\u00e9n\u00e9dicte Tauran, sopran<\/span>\r\n
Aco Aleksander Bi\u0161\u0107evi\u0107, tenor<\/span>\r\n
Martin Logar, tenor<\/span><\/p>\r\n

\ufeff<\/span>Ansambel <\/span>musica cubicularis<\/em>\r\n
Veronica B\u00f6hm, Mojca Jerman, baro\u010dni violini<\/span>\r\n
Domen Marin\u010di\u010d, Christoph Prendl, D\u00e1vid Budai, Cristiano Contadin, viole da gamba<\/span>\r\n
Toma\u017e Sev\u0161ek, orgelski pozitiv, \u010dembalo<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n

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2023<\/p>\r\n <\/div>\r\n <\/div>\r\n

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Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima\r\n veniam, quis nostrum exercitationem ullam corporis suscipit.<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 27. februar Angle\u0161ki virginalisti<\/span>\r\n
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John Bull\r\n
Giles Farnaby\r\n
William Byrd\r\n
John Bull\r\n
John Blitheman<\/p>\r\n

Pierre Hanta\u00ef, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 8. maj CARL FRIEDRICH ABEL<\/span>\r\n
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Ansambel <\/span>musica cubicularis<\/em>\r\n
Anne Freitag, baro\u010dna pre\u010dna flavta<\/span>\r\n
Domen Marin\u010di\u010d, viola da gamba, petstrunski violon\u010delo<\/span>\r\n
Gregor Fele, baro\u010dni violon\u010delo<\/span>\r\n
Toma\u017e Sev\u0161ek, \u010dembalo<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 4. september Motecta bona & favorabilia priljubljeni moteti iz ljubljanske stolnice<\/span>\r\n
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Jacques Arcadelt\r\n
Johannes Lupi\r\n
Josquin des Prez\r\n
Jacques Du Pont\r\n
Nicolas Gombert\r\n
Antoine de F\u00e9vin\r\n
Jacques Brunel\r\n
Dominique Phinot\r\n
Dulos Couillart\r\n
Josquin des Prez\r\n
Mathieu Gascongne\r\n
Jacobus Clemens<\/p>\r\n

Vokalni ansambel musica cubicularis<\/em>\r\n
Tanja Vogrin, sopran\r\n
Bernd Oliver Fr\u00f6hlich, alt\r\n
Manuel Warwitz, tenor\r\n
Raitis Grigalis, bariton\r\n
Joel Frederiksen, bas in glasbeno vodstvo\r\n
Toma\u017e Sev\u0161ek, orgle<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 6. september Zgovoren in ganljiv govor violinski zvok Giuseppa Tartinija<\/span>\r\n
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Giuseppe Tartini<\/p>\r\n

Ansambel musica cubicularis<\/em>\r\n
Bojan \u010ci\u010di\u0107, baro\u010dna violina\r\n
Mojca Jerman, baro\u010dna violina\r\n
Domen Marin\u010di\u010d, baro\u010dni violon\u010delo, viola da gamba\r\n
Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 11. december SOLISTI\u010cNI MOTET I IZ KOPRSKE STOLNICE glasba 17. stoletja za sopran, dve violini in continuo<\/span>\r\n
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Bonifazio Graziani\r\n
Giovanni Battista Bassani\r\n
Giovanni Antonio Rigatti\r\n
Francesco Antonio Bonporti<\/p>\r\n

Ansambel musica cubicularis<\/em>\r\n
Stefanie True, sopran\r\n
Helena Zemanov\u00e1, baro\u010dna violina\r\n
Veronica B\u00f6hm, baro\u010dna violina\r\n
Domen Marin\u010di\u010d, baro\u010dni violon\u010delo\r\n
Toma\u017e Sev\u0161ek, orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2022<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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\r\n \r\n \r\n 13. marec PLES Z VERSAJSKIH ODROV<\/span>\r\n
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Jean-Baptiste Lully <\/strong>Suita v B-duru<\/p>\r\n

(1632\u20131687) Symphonie \u2013 Premier air des Espagnols (Sarabande pour une<\/p>\r\n

femme) \u2013 Deuxieme air des Espagnols \u2013 Les mariez \u2013 Entree des<\/p>\r\n

Divinites Infernales (Entree grave) \u2013 Gavotte \u2013 Chaconne<\/p>\r\n

Jean-F\u00e9ry Rebel <\/strong>Les Caracteres de la Danse (1715)<\/p>\r\n

(1666\u20131747) Prelude \u2013 Courante \u2013 Menuet \u2013 Bouree \u2013 Chaconne \u2013 Sarabande \u2013<\/p>\r\n

Gigue \u2013 Rigaudon \u2013 Pasepied \u2013 Gavotte \u2013 Sonate \u2013 Loure \u2013<\/p>\r\n

Musette \u2013 Sonate<\/p>\r\n

Marin Marais <\/strong>Suita v d-molu za violo da gamba in continuo (1701)<\/p>\r\n

(1656\u20131728) Prelude \u2013 Bourrasque \u2013 Allemande \u2013 La Follette \u2013<\/p>\r\n

Ballet en Rondeau<\/p>\r\n

Louis-Antoine Dornel <\/strong>Suita \u0161t. 1 v g-molu, op. 1 (1709)<\/p>\r\n

(ok. 1680\u20131756) Ouverture \u2013 Air tendre \u2013 Rondeau \u2013 Air en loure \u2013 Caprice \u2013 Gigue<\/p>\r\n

Louis-Nicolas Cl\u00e9rambault <\/strong>Sonata v d-molu za violino in continuo, \u226bL\u2019Impromptu\u226a<\/p>\r\n

(1676\u20131749)<\/p>\r\n

Fran\u00e7ois Couperin <\/strong>Sonata v c-molu, \u226bL\u2019Espagnole\u226a (1726)<\/p>\r\n

(1668\u20131733) Gravement, et mesure \u2013 Vivement \u2013 Affectueusement \u2013<\/p>\r\n

Legerement \u2013 Gayement \u2013 Air tendre \u2013 Vivement, et marque<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Mojca Gal, baro\u010dni ples, baro\u010dna violina<\/p>\r\n

Stjepan Nodilo, baro\u010dna oboa, kljunasta flavta<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 16. maj HE PUELLE REGIE glasbene sledi \u017eenskih samostanov na slovenskem<\/span>\r\n
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i. he puelle regie \u2014 K\u00f6lnski dragulji: mu\u010denica sveta Ur\u0161ula in kraljevske mladenke<\/strong><\/p>\r\n

Nove laudis<\/em>, antifona za praznik Marijinega darovanja v templju (Gosnay)<\/p>\r\n

He puelle regie<\/em>, antifona hvalnic za praznik sv. Ur\u0161ule (Gosnay)<\/p>\r\n

Istarum collegio<\/em>, antifona hvalnic za praznik sv. Ur\u0161ule (Gosnay)<\/p>\r\n

O felix Germania<\/em>, antifona ve\u010dernic za praznik sv. Ur\u0161ule (Gosnay)<\/p>\r\n

Benedictus es<\/em>, antifona hvalnic za praznik sv. Ur\u0161ule | ps Benedictus <\/em>(Gosnay)<\/p>\r\n

O flos campi<\/em>, antifona ve\u010dernic za praznik sv. Ur\u0161ule (Gosnay)<\/p>\r\n

ii. amator et sponsus virginum \u2014 Jezus, nebe\u0161ki \u017eenin, ostaja z nami po svojih obljubah<\/strong><\/p>\r\n

Johannes Krieger (1651\u20131735), Fantasia in d (iz zbirke Anmuthige Clavier-Ubung<\/em>, 1699)<\/p>\r\n

O rex glorie <\/em>| ps Magnificat<\/em>, antifona ve\u010dernic Gospodovega vnebohoda (Radlje ob Dravi)<\/p>\r\n

O rex gloriose<\/em>, antifona sklepnic za nedeljo Gospodovega trpljenja (Radlje ob Dravi)<\/p>\r\n

Ego sum vestra<\/em>, antifona za oficij Sulice in \u017eebljev (Radlje ob Dravi)<\/p>\r\n

iii. media vita in morte sumus \u2014 Ne zapusti nas, sirot, v \u010dasu stisk in preizku\u0161enj!<\/strong><\/p>\r\n

Luigi Rossi (ok. 1598\u20131653), Passacaille (rokopis Bayun, ok. 1600)<\/p>\r\n

Sponsa Dei Genovefa<\/em>, antifona ve\u010dernic za praznik sv. Genovefe (Gosnay)<\/p>\r\n

Gloriosam Christi sponsam<\/em>, antifona ve\u010dernic za praznik sv. Genovefe (Gosnay)<\/p>\r\n

Media vita <\/em>| ps Nunc dimittis<\/em>, antifona sklepnic za tretjo nedeljo kvadragezime (Radlje ob Dravi)<\/p>\r\n

iv. maxima est gloria catharinae senensis \u2014 Slava dominikanskega reda: \u010dude\u017ei<\/strong><\/p>\r\n

sv. Katarine Sienske in sv. Dominik<\/strong><\/p>\r\n

Virginis Catharinae<\/em>, antifona ve\u010dernic praznika sv. Katarine Sienske (Radlje ob Dravi)<\/p>\r\n

Exultabunda <\/em>| ps Jubilate<\/em>, antifona hvalnic za praznik sv. Katarine Sienske (Radlje ob Dravi)<\/p>\r\n

Divinis <\/em>| ps Deus deus meus<\/em>, antifona hvalnic za praznik sv. Katarine Sienske (Radlje ob Dravi)<\/p>\r\n

Giovanni Girolamo Kapsberger (1580\u20131651), Toccata ii arpeggiata<\/p>\r\n

(Libro primo d\u2019intavolatura di chitarrone<\/em>, 1604)<\/p>\r\n

Maxima est Catharinae<\/em>, antifona hvalnic za praznik sv. Katarine Sienske (Radlje ob Dravi)<\/p>\r\n

Ad sedes regni<\/em>, antifona ve\u010dernic praznika sv. Katarine Sienske (Radlje ob Dravi)<\/p>\r\n

O virgo maxima<\/em>, antifona ve\u010dernic praznika sv. Katarine Sienske (Radlje ob Dravi)<\/p>\r\n

O lumen ecclesiae <\/em>| ps Magnificat<\/em>, antifona ve\u010dernic za praznik sv. Dominika (Radlje ob Dravi)<\/p>\r\n

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Ana Kodelja, glas<\/p>\r\n

Christina Thaler, glas<\/p>\r\n

Katarina \u0160ter, glas in umetni\u0161ko vodstvo<\/p>\r\n

Barbara Ti\u0161ler, glas<\/p>\r\n

Tanja Vogrin, glas in harfa<\/p>\r\n

Klara Kastelec, pripovedovalka<\/p>\r\n

Stjepan Nodilo, baro\u010dna oboa, kljunasta flavta<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 24. junij Koncerti iz ptujske zbirke<\/span>\r\n
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Johann Georg Zechner <\/strong>Sinfonia solennis v D-duru (Gradec)<\/p>\r\n

(1716\u20131778) Allegro \u2013 Andante \u2013 Presto<\/p>\r\n

Georg Christoph Wagenseil <\/strong>Koncert v G-duru (Ptuj)<\/p>\r\n

(1717\u20131777) Allegro \u2013 Andante \u2013 Vivace<\/p>\r\n

Johann Adolph Hasse <\/strong>Koncert v D-duru (Ptuj)<\/p>\r\n

(1799\u20131783) Allegro \u2013 Grave \u2013 Allegro<\/p>\r\n

Georg Christoph Wagenseil <\/strong>Trio v F-duru (Dunaj)<\/p>\r\n

Andante \u2013 Allegro \u2013 Andante \u2013 Allegro assai<\/p>\r\n

Johann Georg Zechner <\/strong>Koncert v A-duru (Ptuj)<\/p>\r\n

Allegro \u2013 Adagio \u2013 Presto<\/p>\r\n

Johann Adam Scheibl <\/strong>Koncert v C-duru (Ptuj)<\/p>\r\n

(1710\u20131773) Allegro \u2013 Larghetto \u2013 Allegro<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Zsuzsanna Czentnar, baro\u010dna violina<\/p>\r\n

Mojca Jerman, baro\u010dna violina<\/p>\r\n

Domen Marin\u010di\u010d, baro\u010dni violon\u010delo<\/p>\r\n

Miha Petek, baro\u010dna trobenta<\/p>\r\n

Jan Gr\u010dar, baro\u010dna trobenta<\/p>\r\n

Toma\u017e Sev\u0161ek, orgle (Janez Fran\u010di\u0161ek Jane\u010dek, 1748)<\/p>\r\n

Stjepan Nodilo, baro\u010dna oboa, kljunasta flavta<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 16. september JURIJ SLATKONJA IN DUNAJSKA DVORNA KAPELA<\/span>\r\n
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Ludwig Senfl <\/strong>Media vita in morte sumus \/ In mitten unsers Lebens Zeit<\/p>\r\n

(ok. 1586\u20131542\/43)<\/p>\r\n

Paul Hofhaimer <\/strong>Recordare<\/p>\r\n

(1459\u20131537) Carmen<\/p>\r\n

Tandernack<\/p>\r\n

Heinrich Isaac <\/strong>Virgo prudentissima<\/p>\r\n

(ok. 1450\u20131517)<\/p>\r\n

Paul Hofhaimer <\/strong>Salve Regina<\/p>\r\n

Heinrich Isaac <\/strong>Missa Virgo prudentissima: Sanctus<\/p>\r\n

Jurij Slatkonja <\/strong>Ego vos elegi<\/p>\r\n

(1456\u20131522)<\/p>\r\n

Paul Hofhaimer <\/strong>(?) Was ich durch Gluck<\/p>\r\n

Ich reu und klag<\/p>\r\n

Paul Hofhaimer <\/strong>Zucht, Ehr\u2019 und Lob<\/p>\r\n

Jurij Slatkonja <\/strong>(?) Ach Gott wem soll ich clagen<\/p>\r\n

Ludwig Senfl <\/strong>Ave rosa sine spinis<\/p>\r\n

Singer Pur<\/em><\/strong><\/p>\r\n

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Claudia Reinhard, sopran | Christian Meister, tenor | Markus Zapp, tenor | Manuel Warwitz, tenor | Felix Meybier, bas<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba<\/p>\r\n

Stjepan Nodilo, baro\u010dna oboa, kljunasta flavta<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 24. oktober ZVONOVI, LABIRINT IN LESTVICA<\/span>\r\n
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Marin Marais <\/strong>Sonnerie de Sainte-Genevieve du Mont de Paris (1723)<\/p>\r\n

(1656\u20131728) [Zvonovi cerkve sv. Genovefe v Parizu]<\/p>\r\n

za violino, violo da gamba in \u010dembalo<\/p>\r\n

Le Labyrinthe (1717)<\/p>\r\n

[Labirint]<\/p>\r\n

za violo da gamba in basso continuo<\/p>\r\n

La Gamme (1723)<\/p>\r\n

[Lestvica]<\/p>\r\n

za violino, flavto, violo da gamba in \u010dembalo<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Alice Julien-Laferriere, baro\u010dna violina<\/p>\r\n

Taja Meznari\u010d, baro\u010dna pre\u010dna flavta<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba<\/p>\r\n

Stjepan Nodilo, baro\u010dna oboa, kljunasta flavta<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 orgelski pozitiv<\/p>\r\n

Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 21. november TOMASO ALBINONI: VESPETTA E PIMPINONE<\/span>\r\n
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Tomaso Albinoni <\/strong>Simfonija v B-duru, T.Si 6<\/p>\r\n

(1671\u20131751) Allegro \u2013 Adagio \u2013 Allegro<\/p>\r\n

Vespetta e Pimpinone: Prvi intermezzo<\/p>\r\n

Arija (Vespetta) \u2013 Recitativ \u2013 Duet<\/p>\r\n

Simfonija v D-duru, T.Si 4<\/p>\r\n

Allegro \u2013 Allegro<\/p>\r\n

Vespetta e Pimpinone: Drugi intermezzo<\/p>\r\n

Recitativ \u2013 Arija (Pimpinone) \u2013 Recitativ \u2013 Arija (Vespetta) \u2013 Recitativ \u2013 Duet<\/p>\r\n

Simfonija v G-duru, T.Si 7.4a<\/p>\r\n

Allegro \u2013 Adagio \u2013 Allegro \u2013 Grave<\/p>\r\n

Vespetta e Pimpinone: Tretji intermezzo<\/p>\r\n

Recitativ \u2013 Arija (Pimpinone) \u2013 Recitativ \u2013 Arija (Vespetta) \u2013 Recitativ \u2013 Duet<\/p>\r\n

Libreto: <\/em>Pietro Pariati (1665\u20131733) | Slovenski prevod: <\/em>Jerneja Umer Kljun<\/p>\r\n

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Helena Bregar \u2013 Vespetta (sopran)<\/p>\r\n

Toma\u0161 Kral \u2013 Pimpinone (bariton)<\/p>\r\n

Ansambel musica cubicularis<\/em><\/p>\r\n

Federico Guglielmo, violina<\/p>\r\n

Alessia Pazzaglia, violina<\/p>\r\n

Raquel Massadas, viola<\/p>\r\n

Domen Marin\u010di\u010d, violon\u010delo<\/p>\r\n

Stjepan Nodilo, baro\u010dna oboa, kljunasta flavta<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 orgelski pozitiv<\/p>\r\n

Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n

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2021<\/p>\r\n <\/div>\r\n <\/div>\r\n

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Johann Georg Linike<\/p>\r\n

Georg Philipp Telemann<\/p>\r\n

Pierre Prowo<\/p>\r\n

Georg Friedrich H\u00e4ndel<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Sheng-Fang Chiu, kljunasta flavta<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba, \u010dembalo<\/p>\r\n

Gregor Fele, baro\u010dni violon\u010delo<\/p>\r\n

Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 31. avgust AVE MUNDI SPES MOTETI GABRIELA PLAVCA IN ISAACA POSCHA<\/span>\r\n
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Gabriel Plavec<\/p>\r\n

Isaac Posch<\/p>\r\n

Jacobus Handl \u2013 Gallus<\/p>\r\n

Georg Prenner<\/p>\r\n

Georg Prenner Conceptio est hodie (intabulacija)<\/p>\r\n

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Ingenium Ensemble<\/p>\r\n

Blanka \u010cak\u0161, sopran<\/p>\r\n

Petra Frece, sopran<\/p>\r\n

Bla\u017e Strmole, tenor<\/p>\r\n

Domen An\u017elovar, tenor<\/p>\r\n

Matja\u017e Strmole, bariton<\/p>\r\n

Ambro\u017e Rener, bas<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 15. september EVTERPA,TERPSIHORA IN ERATO<\/span>\r\n
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Jean-Baptiste Lully<\/p>\r\n

Georg Friedrich H\u00e4ndel<\/p>\r\n

Antonio Vivaldi<\/p>\r\n

Jean-F\u00e9ry Rebel<\/p>\r\n

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Ivana Lazar, sopran<\/p>\r\n

Aco Aleksander Bi\u0161\u0107evi\u0107, tenor<\/p>\r\n

Maru\u0161a Brezav\u0161\u010dek, kljunasta flavta<\/p>\r\n

Tanja Skok, Sebasti\u00e0 Bover, baro\u010dni ples<\/p>\r\n

Orkester musica cubicularis<\/em><\/p>\r\n

Domen Marin\u010di\u010d, glasbeno vodstvo<\/p>\r\n

Bo\u017eena Angelova, Ne\u017ea Klinar, Sara Miti\u0107, Ana Vasi\u0107, Mojca Jerman, Ana Se\u0161ek, violine<\/p>\r\n

Jonathan Ponet, viola<\/p>\r\n

Domen Marin\u010di\u010d, Martin Sikur, violon\u010delo<\/p>\r\n

Urban \u010cefarin, kontrabas<\/p>\r\n

Stjepan Nodilo, Stanislav Zhukovsky, baro\u010dna oboa<\/p>\r\n

Maru\u0161a Brezav\u0161\u010dek, kljunasta flavta, baro\u010dni fagot<\/p>\r\n

Kre\u0161imir Fabijani\u0107, baro\u010dna trobenta<\/p>\r\n

Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n

Sam Chapman, teorba, baro\u010dna kitara<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 21. oktober NOVO MESTO IN KLANJEC duhovne arije in kantate iz fran\u010di\u0161kanskih zbirk<\/span>\r\n
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William Byrd<\/p>\r\n

Alfonso Ferrabosco<\/p>\r\n

Richard Mico<\/p>\r\n

Roberta Diamond, sopran<\/p>\r\n

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Ansambel viol da gamba musica cubicularis<\/em><\/p>\r\n

Domen Marin\u010di\u010d, Christoph Urbanetz, D\u00e1vid Budai, Cristiano Contadin<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 27. december ANGLE\u0160KE PESMI ZA GLAS IN ANSAMBEL VIOL DA GAMBA<\/span>\r\n
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musica cubicularis<\/em><\/p>\r\n

Nele Gram\u00df \u2013 sopran<\/p>\r\n

Marta Mo\u010dnik Pirc \u2013 sopran<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2020<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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Ljubljana<\/span><\/p>\r\n

ISAAC POSCH IN INSTRUMENTALNA GLASBA<\/span><\/p>\r\n

IZ ARHIVA LJUBLJANSKE STOLNICE<\/span><\/p>\r\n

Cesario Gussago<\/span><\/p>\r\n

Claudio Merulo<\/span><\/p>\r\n

Johann Christenius<\/span><\/p>\r\n

Annibale Zuccaro<\/span><\/p>\r\n

Antonio Mortaro<\/span><\/p>\r\n

Johann Steffens<\/span><\/p>\r\n

Cesario Gussago<\/span><\/p>\r\n

Isaac Posch<\/span><\/p>\r\n

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Ansambel viol da gamba <\/span>musica cubicularis<\/em><\/p>\r\n

Domen Marin\u010di\u010d, Christoph Prendl, Christoph Urbanetz, D\u00e1vid Budai, Cristiano Contadin<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 1. junij K\u00d6THEN \u2013 LONDON \u2013 HAMBURG<\/span>\r\n
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Johann Georg Linike<\/p>\r\n

Georg Friedrich H\u00e4ndel<\/p>\r\n

Johann Heinrich Freytag<\/p>\r\n

Georg Philipp Telemann<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Anne Freitag, baro\u010dna pre\u010dna flavta, kljunasta flavta<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 1. avgust PIRAN \u2013 NOVO MESTO \u2013 KOPER \u2013 LJUBLJANA<\/span>\r\n
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Giuseppe Tartini<\/p>\r\n

neznani skladatelj Festino primo (1678, Antonio Tarsia Nodaro)<\/p>\r\n

[izgubljena violinska parta rekonstruiral Domen Marin\u010di\u010d]<\/p>\r\n

Arcangelo Corelli<\/p>\r\n

Francesco Antonio Bonporti<\/p>\r\n

neznani skladatelj Aria piano in Pastorella allegro<\/p>\r\n

[iz knji\u017enice fran\u010di\u0161kanskega samostana Novo mesto]<\/p>\r\n

Johann Christian Bach<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Bo\u017eena Angelova, baro\u010dna violina<\/p>\r\n

Mojca Jerman, baro\u010dna violina<\/p>\r\n

Domen Marin\u010di\u010d, baro\u010dni violon\u010delo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 1. september STARA GLASBA PO SLOVENIJI: SLOVENSKA BISTRICA<\/span>\r\n
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Pietro Vincenzo Ciocchetti<\/p>\r\n

Giovanni Battista Lampugnani )<\/p>\r\n

Johann Adolf Hasse<\/p>\r\n

Andrea Bernasconi<\/p>\r\n

Giuseppe Arena<\/p>\r\n

Rinaldo di Capua<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Bernarda Bobro, sopran<\/p>\r\n

Anne Freitag, baro\u010dna pre\u010dna flavta<\/p>\r\n

Federico Guglielmo, baro\u010dna violina<\/p>\r\n

Mojca Jerman, baro\u010dna violina<\/p>\r\n

Domen Marin\u010di\u010d, baro\u010dni violon\u010delo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2019<\/p>\r\n <\/div>\r\n <\/div>\r\n

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\r\n \r\n \r\n 12. februar DIETERICH BUXTEHUDE \u2013 Triosonate in duhovni koncerti<\/span>\r\n
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Ansambel musica cubicularis<\/em><\/p>\r\n

Mar\u00eda Cristina Kiehr, sopran<\/p>\r\n

Alice Julien-Laferri\u00e8re, baro\u010dna violina<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek, \u010dembalo, orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 8. april MICHAEL PRAETORIUS in glasba za \u010dlane dru\u017eine Khisl<\/span>\r\n
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Ansambel viol da gamba musica cubicularis<\/em><\/p>\r\n

Domen Marin\u010di\u010d, Christoph Prendl, Teodoro Ba\u00f9, Christoph Urbanetz, Cristiano Contadin<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 9. maj JOHANN SEBASTIAN BACH \u2013 Kantata o kavi<\/span>\r\n
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Ansambel musica cubicularis<\/em> s solistoma:<\/p>\r\n

Clara Brunet Villasopran (Lieschen)<\/p>\r\n

Lisandro Abadie, bas (gospod Schlendrian)<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 17. september RICHARD WAGNER v priredbah za duo klavirja in harmonija<\/span>\r\n
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Mikayel Balyan, zgodovinski klavir<\/p>\r\n

Toma\u017e Sev\u0161ek, umetni\u0161ki harmonij<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 17. oktober SILVIUS LEOPOLD WEISS \u2013 Trii z baro\u010dno lutnjo<\/span>\r\n
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Robert Barto, baro\u010dna lutnja<\/p>\r\n

Anne Freitag, baro\u010dna pre\u010dna flavta<\/p>\r\n

Domen Marin\u010di\u010d, baro\u010dni violon\u010delo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 20. november FRANCESCO POLLINI in glasba pri Zoisovih v Ljubljani<\/span>\r\n
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Aco Aleksander Bi\u0161\u0107evi\u0107, tenor<\/p>\r\n

Wolfgang Brunner, zgodovinski klavir<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2018<\/p>\r\n <\/div>\r\n <\/div>\r\n

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Claudio Monteverdi in sodobniki<\/p>\r\n

Ansambel musica cubicularis<\/em> z gosti:<\/p>\r\n

Giovanni Cantarini, tenor (pripovedovalec)<\/p>\r\n

Gwendolen Martin, sopran (Klorinda)<\/p>\r\n

Manuel Warwitz, tenor (Tankred)<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 25. februar LUTENJSKE SKLADBE ZA KRANJSKE PLEMI\u010cE<\/span>\r\n
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Giacomo Gorzanis<\/p>\r\n

Michele Carreca, renesan\u010dna lutnja<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 10. april BENE\u0160KA GLASBA ZA ANSAMBEL VIOL DA GAMBA<\/span>\r\n
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Adrian Willaert, Girolamo Parabosco, Claudio Merulo, Gioseffo Guami, Giovanni Bassano, Giovanni Gabrieli, Giovanni Battista Buonamente, Giovanni Legrenzi<\/p>\r\n

Ansambel musica cubicularis<\/em><\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba; Christoph Prendl, viola da gamba; Christoph Urbanetz, viola da gamba; Cristiano Contadin, viola da gamba; Toma\u017e Sev\u0161ek, orgle<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 19. junij MADRIGALI IN \u0160ANSONE 16. STOLETJA<\/span>\r\n
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Orlando di Lasso, Cipriano de Rore, Giovanni Pierluigi da Palestrina<\/p>\r\n

Ansambel musica cubicularis<\/em>:<\/p>\r\n

Anne Freitag, renesan\u010dna pre\u010dna flavta<\/p>\r\n

Claire Piganiol, renesan\u010dna harfa<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek, \u010dembalo, orgelski pozitiv<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 6. november MOTETI IZ ARHIVA KOPRSKE STOLNICE<\/span>\r\n
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Antonio Tarsia<\/p>\r\n

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Ansambel musica cubicularis<\/em> z gostjama:<\/p>\r\n

Mar\u00eda Cristina Kiehr, sopran<\/p>\r\n

Kamila Mazalov\u00e1, mezzosopran<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 10. oktober NEAPELJSKA GALIARDA<\/span>\r\n
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Las Huelgas, Kodeks Rossi, Antonio Valente, Antonio de Cabez\u00f3n<\/p>\r\n

Catalina Vicens, \u010dembalo, portativ<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2017<\/p>\r\n <\/div>\r\n <\/div>\r\n

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La Barre, Marais, Bach, Telemann<\/p>\r\n

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Ansambel musica cubiculari<\/em>s:<\/p>\r\n

Anne Freitag, baro\u010dna pre\u010dna flavta<\/p>\r\n

Keiko Kino\u0161ita, baro\u010dna pre\u010dna flavta<\/p>\r\n

Domen Marin\u010di\u010d, viola da gamba, baro\u010dni violon\u010delo<\/p>\r\n

Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 9. april MISERERE MEI DEUS<\/span>\r\n
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Spored: Dolar, Posch, Biber, Schmelzer<\/p>\r\n

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Ansambel musica cubicularis<\/em> s solisti:<\/p>\r\n

Theresa Dlouhy, sopran<\/p>\r\n

Daniel Auchincloss, tenor<\/p>\r\n

Manuel Warwitz, tenor<\/p>\r\n

Matthew Baker, bas<\/p>\r\n

Manfredo Kraemer, baro\u010dna violina in glasbeno vodstvo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 7. junij GLASBA ZA MARIJO TEREZIJO<\/span>\r\n
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Koncerti iz ptujske zbirke: Castelli, Wagenseil, Zechner, Sgatberoni<\/p>\r\n

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Ansambel musica cubicularis<\/em> s solistom:<\/p>\r\n

Alessandro Ciccolini, baro\u010dna violina<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 3. oktober MIT O ARKADIJI<\/span>\r\n
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Na sporedu italijanske kantate s konca 17. in za\u010detka 18. stoletja.<\/p>\r\n

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Ansambel musica cubicularis<\/em> z gostoma:<\/p>\r\n

Barbara Kozelj, mezzosopran<\/p>\r\n

Sam Chapman, lutnja<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 19. december MORJE IN MELANHOLIJA<\/span>\r\n
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Spored: Niels Gade, Felix Mendelssohn<\/p>\r\n

Wietse Beels, violina<\/p>\r\n

Edoardo Torbianelli, zgodovinski klavir<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2016<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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Ansambel <\/span>musica cubicularis<\/em>\r\n : <\/span>\r\n <\/p>\r\n

Aco Aleksander Bi\u0161\u0107evi\u0107, tenor; Benedek Csalog, baro\u010dna pre\u010dna flavta; Domen Marin\u010di\u010d, viola da gamba; Sam Chapman, teorba; Toma\u017e Sev\u0161ek, \u010dembalo<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 19.april Giuseppe Arena: arije iz arhiva grofov Attems iz Slovenske Bistrice<\/span>\r\n
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V sklopu projekta HERA MusMig.<\/p>\r\n

Ansambel musica cubicularis<\/em>: <\/p>\r\n

Bernarda Bobro, sopran (Ahil); Gwendolen Martin, sopran (Dejdameja); Bojan \u010ci\u0107i\u0107, baro\u010dna violina; James Toll, baro\u010dna violina; Erika Emans, baro\u010dna viola; Domen Marin\u010di\u010d, baro\u010dni violon\u010delo; Toma\u017e Sev\u0161ek, \u010dembalo<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 20. maj Jenkins, Simpson, Lawes<\/span>\r\n
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Ansambel <\/span>musica cubicularis<\/em>\r\n : <\/span>\r\n <\/p>\r\n

Christoph Urbanetz, viola da gamba; Domen Marin\u010di\u010d, viola da gamba; Toma\u017e Sev\u0161ek, orgelski pozitiv<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 18. oktober Solisti\u010dni recital ene vodilnih izvajalk srednjeve\u0161ke glasbe na svetu Sabine Lutzenberger je bil posve\u010den pesmim svete Hildegarde iz Bingna (1098\u20131179).<\/span>\r\n
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Sabine Lutzenberger, glas in zvon\u010dki<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 15. november Na koncertu so zazvenele koncertantne in solisti\u010dne sonate italijanskih mojstrov prve polovice 17. stoletja.<\/span>\r\n
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Castello, Fontana, Buonamente<\/strong><\/p>\r\n

Ansambel musica cubicularis<\/em>: <\/p>\r\n

William Dongois, cink; Alice Julien-Laferri\u00e8re, violina; Stefan Leg\u00e9e, pozavna; Domen Marin\u010di\u010d, \u010dembalo; Toma\u017e Sev\u0161ek, orgelski pozitiv<\/p>\r\n

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2015<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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\r\n \r\n \r\n 13. februar PURCELL IN BLOW: Britanski Orfej in angle\u0161ki Amfion<\/span>\r\n
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Emma Kirkby, sopran; Joel Frederiksen, bas, arhilutnja; Domen Marin\u010di\u010d, viola da gamba; Axel Wolf, teorba, arhilutnja<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 20. april MARAIS IN SAINTE-COLOMBE: Za dve enaki violi da gamba<\/span>\r\n
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Ansambel <\/span>musica cubiculari<\/em>\r\n  s: Christoph Urbanetz, viola da gamba; Domen Marin\u010di\u010d, viola da gamba, Toma\u017e Sev\u0161ek, \u010dembalo<\/span>\r\n <\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 27. maj POLLINI IN DUS\u00cdK: Migranta na Slovenskem<\/span>\r\n
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Klavirska glasba Francesca Pollinija in Franti\u0161ka Josefa Benedikta Dus\u00edka<\/p>\r\n

Mikayel Balyan, zgodovinski klavir<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 15. oktober PARNASSUS MUSICUS FERDINANDAEUS: Moteti za avstrijskega nadvojvodo Ferdinanda (1615)<\/span>\r\n
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Ansambel <\/span>musica cubicularis <\/em>\r\n z gosti: Perrine Devillers, Bernhard Landauer, Christopher O\u2019Gorman in Matthew Baker<\/span>\r\n <\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 19. november BACH IN H\u00c4NDEL: Uvertura, koncert in italijanski dueti<\/span>\r\n
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Ansambel <\/span>musica cubicularis<\/em>\r\n  Alessandro Ciccolini, violina <\/span>\r\n <\/p>\r\n

pevki Gwendolen Martin in Tanja Vogrin<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2014<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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\r\n \r\n \r\n 9. marec TELEMANN: Komorna dela<\/span>\r\n
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Ansambel <\/span>musica cubicularis<\/em>\r\n  z gosti: Maru\u0161a Brezav\u0161\u010dek, kljunasta flavta, Ana Beni\u0107, baro\u010dna pre\u010dna flavta, Bo\u0161tjan Lipov\u0161ek, naravni rog, Paolo Calligaris, baro\u010dni fagot<\/span>\r\n <\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 22. april HAMELN 1284: \u010carobna pi\u0161\u010dal<\/span>\r\n
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Solisti\u010dni recital: Norbert Rodenkirchen, srednjeve\u0161ke pre\u010dne flavte<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 25. november R. STRAUSS: Romanti\u010dni kvartet<\/span>\r\n
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Ansambel <\/span>musica cubicularis<\/em>\r\n  z gostoma: \u017diva Ciglene\u010dki, violina, Edoardo Torbianelli, klavir<\/span>\r\n <\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2013<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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\r\n \r\n \r\n 13. februar \u00bbO Kajn, kje je tvoj brat?\u00ab<\/span>\r\n
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Duhovni latinski dialogi 17. stoletja<\/span>\r\n
Ansambel <\/span>musica cubiculari<\/em>\r\n s z gostoma: Monika Mauch, sopran, in Matthew Baker, basbariton<\/span>\r\n
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\r\n \r\n \r\n 18. marec Christopher Stembridge, \u010dembalo<\/span>\r\n
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Neapeljska glasba za kromati\u010dni \u010dembalo<\/span>\r\n
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Christopher Stembridge, \u010dembalo<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 28. maj \u00bbNovi Orfej na\u0161ih dni\u00ab <\/span>\r\n
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Skladbe iz vseh \u0161estih Corellijevih opusov: triosonate, solisti\u010dni sonati z okraski Giuseppeja Tartinija in concerto grosso v zgodovinski priredbi za \u010dembalo.\r\n
Ansambel musica cubicularis<\/em><\/p>\r\n

Namesto napovedanega kontratenorista Morgana Crowleyja je kot solistka nastopila violinistka Mojca Gal.<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 13. november \u00bbKakor son\u010dni \u017earek v temi\u00ab<\/span>\r\n
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Spored je bil posve\u010den virtuozni glasbi za cink in violino italijanskih in nem\u0161kih skladateljev 17. stoletja. <\/p>\r\n

Ansambel musica cubicularis<\/em><\/p>\r\n

William Dongois, cink<\/p>\r\n

Alice Julien-Laferri\u00e8re, violina<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 18. december Koncert pri grofu in grofici Attems<\/span>\r\n
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Italijanske arije in sonate iz dru\u017einskega arhiva grofovske dru\u017eine Attems v Slovenski Bistrici<\/p>\r\n

Ansambel musica cubicularis<\/em> <\/p>\r\n

Bernarda Bobro, sopran<\/p>\r\n

Benedek Csalog, flavta<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2012<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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\r\n \r\n \r\n 9. januar LONDON: Devi\u0161ka kraljica<\/span>\r\n
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J. Dowland, Th. Campion, T. Hume, W. Byrd<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 13. marec PARIZ: Iz kraljevih soban<\/span>\r\n
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J.-M. Leclair, J.-B. Forqueray, J. Morel, M. Blavet<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 24. april LEIPZIG: Zimmermannova kavarna<\/span>\r\n
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J. S. Bach, G. Ph. Telemann<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 10. oktober BENETKE: Tri violine<\/span>\r\n
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G. Gabrieli, G. B. Fontana, J. Rosenm\u00fcller, G. Legrenzi<\/span>\r\n
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\r\n \r\n \r\n 12. december DUNAJ: Cesarski val\u010dek<\/span>\r\n
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J. Strauss, A. Dvo\u0159\u00e1k, A. Schoenberg<\/span><\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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2011<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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\r\n \r\n \r\n 18. april Fran\u00e7ois Couperin: Le\u00e7ons de t\u00e9n\u00e8bres (Jeremijeve \u017ealostinke)<\/span>\r\n
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Ansambel musica cubicularis<\/em><\/p>\r\n

Nele Gram\u00df \u2013 sopran<\/p>\r\n

Marta Mo\u010dnik Pirc \u2013 sopran<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 orgelski pozitiv<\/p>\r\n

Insula Memori\u00e6 \u2013 vokalna skupina za gregorijanski koral<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 25. maj Italijanske triosonate<\/span>\r\n
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A. Corelli, A. Vivaldi, F. A. Bonporti, G. Tartini, A. Ivan\u010di\u010d<\/p>\r\n

Z izvirno Tartinijevo violino iz Pomorskega muzeja Piran<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Bo\u017eena Angelova \u2013 baro\u010dna violina<\/p>\r\n

\u017diga Faganel \u2013 baro\u010dna violina<\/p>\r\n

Domen Marin\u010di\u010d \u2013 baro\u010dni violon\u010delo<\/p>\r\n

Toma\u017e Sev\u0161ek \u2013 \u010dembalo<\/p>\r\n

Petek, 30. september 2011, ob 20:00<\/p>\r\n

V sodelovanju z Mini teatrom Ljubljana<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 30. september Virtuozne renesan\u010dne diminucije<\/span>\r\n
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G. Ph. Telemann, J. S. Bach, G. F. H\u00e4ndel<\/p>\r\n

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Ansambel musica cubicularis<\/em><\/p>\r\n

Barbara Ti\u0161ler \u2013 sopran<\/p>\r\n

Mateja Bajt \u2013 kljunasta flavta<\/p>\r\n

\u017diga Faganel \u2013 baro\u010dna violina<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

\r\n \r\n \r\n 16. november Kantate in sonate nem\u0161kega baroka<\/span>\r\n
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G. Ph. Telemann, J. S. Bach, G. F. H\u00e4ndel<\/p>\r\n

Ansambel musica cubicularis<\/em><\/p>\r\n

Barbara Ti\u0161ler \u2013 sopran<\/p>\r\n

Mateja Bajt \u2013 kljunasta flavta<\/p>\r\n

\u017diga Faganel \u2013 baro\u010dna violina<\/p>\r\n

Domen Marin\u010di\u010d \u2013 viola da gamba<\/p>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n

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DOMOV<\/span><\/a>\r\n <\/span>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"

2025 11. marec Operni junaki gori\u0161kih salonov Andrea Bernasconi Domenico Gallo Johann Adolf Hasse Giuseppe Tartini Leonardo Vinci Confusa Alessandro Marcello Leonardo Vinci Giuseppe Tartini Giovanni Battista Pergolesi Ansambel musica cubicularis Helena Bregar, sopran Federico Gugliemo, violina Lorenzo Rosato, violina Domen Marin\u010di\u010d, violon\u010delo Toma\u017e Sev\u0161ek, \u010dembalo 28. marec Dvojni rojstni dan na 38 strunah Tobias […]<\/p>\n","protected":false},"author":1,"featured_media":4705,"parent":4447,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width-page.php","meta":{"footnotes":""},"class_list":["post-5091","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=\/wp\/v2\/pages\/5091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5091"}],"version-history":[{"count":20,"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=\/wp\/v2\/pages\/5091\/revisions"}],"predecessor-version":[{"id":7538,"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=\/wp\/v2\/pages\/5091\/revisions\/7538"}],"up":[{"embeddable":true,"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=\/wp\/v2\/pages\/4447"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=\/wp\/v2\/media\/4705"}],"wp:attachment":[{"href":"https:\/\/hc.zrc-sazu.si\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}